I delivered a lecture on Preserving Memories – Jews and Photography at Anshei Shalom’s Lifelong learning program. We talked about the origins of the craft, some of the practicioners of the art and capability of images to document, inform and entertain. Haven’t been in front of a group in years, especially when not wearing a suit or robes. I was shakey. About 50 attended and seemed engaged. Nice to talk about art instead of sociopaths.
What would photography be without Jews? Vanity Fair wouldn’t be the same without Annie Liebowitz. No Iwo Jima Memorial without Joe Rosenthal. No VJ day without Eisenstadt. Jews gave photography by Richard Avadon, Jay Maisel, Stieglitz, Diane Arbus, Bruce Gilden, Arthur Felig a/k/a Weegee, Joel Meyerwitz, Lisette Modal, Bruce Davidson, Arnold Newman, August Sander, Elliot Erwitt, Mary Ellen Mark and on and on and on. We wouldn’t see a lot of what we see or know what we know were it not for Jewish photographers.
Where did our camera sight come from? God gave us light and dark so we could see. God called it day and night. Photographers call it contrast. God created us in God’s image, telling us to create, make images we can see, which we can look at (not worship) giving people vision to make the world a better place. Jewish photography is genetic, hot-wired from God, a tool for the mission to do good deeds and leave the world better than what we found when we got here.