Last year, we moved around the corner to a 1,600 sq ft condo in a recently constructed building which sits between a Mariott and a Hilton. One bedroom, one bath didn’t work anymore. Our living room and terrace face the Lake, but our view is obstructed during green season by trees that line the west side of Battery Street. In the Winter, the view extends as far as the eye can see to New York. Not living on a higher and more fashionable floor made the place affordable, a big factor as we head into the last phase, i.e. endgame, of our lives.
Since our arrival, construction of an addition to the Marriott Courtyard has interfered with our quiet enjoyment of the place: truck, machine tools, cement trucks, workmen. Not fun. But, the work crews seem close to being finished, thank God, and have begun to clean up the mess and spruce the place up. Plants, shrubs and a piece of outdoor sculpture by local artist Richard Erdman of Williston have been added to a little garden area making the space seem attractive and classy. He has sculpted a second piece that will be installed near the entrance when construction have been completed. I feel much better about living here now that an object d’art with varying colors and curves will greet my arrivals and departures, as opposed to some deck chairs and potted plants.
Here, the artist measures space between the pedestal and the shaped object during a visit today where he took pictures of his work. He seemed really happy with the placement and the effect of the light off the surrounding areas. “At some point you think you know what it will look like, but you never know until it is in place. It sorta has a life of its own,” he said.
Light dances off the edges of the shape and the stand. The pedestal provides its own colors and lines. And the object doesn’t just sit on the pedestal, it rests on a pin and can be rotated, changing the angles the light hits the planes and edges, causing more interesting shadows, tones, and hues. Richard wants to keep the kinetic nature of the piece a secret to prevent trampling of the adjoining flowers and possible abuse of the piece. I am almost sorry I know it can be moved, because I have adjusted the sides numerous times and will have to stop playing with it to prevent others from learning the trick.