I met Laura’s art at the SEABA office gallery during art hop. To visitors, the pictures are just some images to be liked or disliked. To her family and friends, they are her statements about life, creative outbursts that survive her; gifts that she will give in spirit. To me?
My friend, artist Lance Richbourg, Professor Emeritus of Fine Art at St. Michael’s College, has been working on a picture of the Babe for several year. On three occaisons, he has taken a picture of me with his subject. He documents his progress with his work. At the same time, I age.
Vermont has a reputation for being a liberal state. Don’t get all heated up. Just because VT started the civil union movement, one which should have been a no brainer, doesn’t make it the home of progressive politics. Sometimes, they let us have some fun.
Have to be fair. Nothing he writes could leave me unaffected, so I thought. I did remember some additional things about the story. But I still didn’t like it.
I read the book on a respite from Infinite Jest, about which more will come later. I have reached page 300 of this monstrous tome, a page of note, because I am reading more quickly and understanding what I am reading without having to reread. In the back of my head, a place readers go with books they hard read, I had traveled off the pages too often into my own experiences, real and imagined, not to mention the travail of understanding what I was reading and seeing the vivid images created by the words. Moseying around at the Fletcher Free Library, I saw two copies of Phil’s book, a book I had not bought due to the less than favorable reviews. Hey, out of sorts actor who lost his skills who has an affair with a lesbian after his wife leaves him late life who cannot figure out if he should die in the fire or put it out, and only 140 pages, what could be bad!
Bill Nelson took me to the Vermont Bookstore on Main Street in Middlebury to look at his wife, Margaret’s (Peggy) book, Parenting Out of Control. In the stacks, limited as they now are under new management, we met a woman dressed like the characters in the books and cards she had in her hands. Very feminine. A little Gothy.
Overhearing me and Bill talking about the death of the local bookstore, a problem that caused him to drive to Burlington for a copy of “Bitch” magazine which had an article on Peggy’s book, the woman not only volunteered that she was familiar with the magazine, but that she liked to shop at Barnes and Noble, the store where Bill found it.
“Got any ink,” I asked?
“Why don’t you go to the stationary store next door,” she replied.
“I mean ink on your body.” She just looked to me like she had some images somewhere. And I take images of ordinary people with ink.
“I got a web on my arm and a triangle on my back. Its kind of old and fading; I have to have it restored. Spider Webb did it ten years ago.”
Last year, we moved around the corner to a 1,600 sq ft condo in a recently constructed building which sits between a Mariott and a Hilton. One bedroom, one bath didn’t work anymore. Our living room and terrace face the Lake, but our view is obstructed during green season by trees that line the west side of Battery Street. In the Winter, the view extends as far as the eye can see to New York. Not living on a higher and more fashionable floor made the place affordable, a big factor as we head into the last phase, i.e. endgame, of our lives.
Since our arrival, construction of an addition to the Marriott Courtyard has interfered with our quiet enjoyment of the place: truck, machine tools, cement trucks, workmen. Not fun. But, the work crews seem close to being finished, thank God, and have begun to clean up the mess and spruce the place up. Plants, shrubs and a piece of outdoor sculpture by local artist Richard Erdman of Williston have been added to a little garden area making the space seem attractive and classy. He has sculpted a second piece that will be installed near the entrance when construction have been completed. I feel much better about living here now that an object d’art with varying colors and curves will greet my arrivals and departures, as opposed to some deck chairs and potted plants.
Here, the artist measures space between the pedestal and the shaped object during a visit today where he took pictures of his work. He seemed really happy with the placement and the effect of the light off the surrounding areas. “At some point you think you know what it will look like, but you never know until it is in place. It sorta has a life of its own,” he said.
Light dances off the edges of the shape and the stand. The pedestal provides its own colors and lines. And the object doesn’t just sit on the pedestal, it rests on a pin and can be rotated, changing the angles the light hits the planes and edges, causing more interesting shadows, tones, and hues. Richard wants to keep the kinetic nature of the piece a secret to prevent trampling of the adjoining flowers and possible abuse of the piece. I am almost sorry I know it can be moved, because I have adjusted the sides numerous times and will have to stop playing with it to prevent others from learning the trick.